Showing posts with label Olivia Wilde. Show all posts
Showing posts with label Olivia Wilde. Show all posts

Sunday, November 13, 2011

Short Take: Three Horror Movies.

The scariest thing about the Paranormal Activity movies is still how popular they are. How this brand of cheaply done and cheaply looking films can manage to outgross much better projects is a sad reminder that today's audiences are victim of cattle thinking. Once they get used to a "series", they don't care how many times they are told the same story. These movies prove that audiences enjoy the act of not thinking. The third installment in the series, goes back to the very beginning and explores why numbers 1 and 2 happened. To say the reasons are preposterous would be nothing compared to the way in which the filmmakers rely on facile trickery and obvious techniques to try and scare us. The effects have been getting consistently better, something which can't be said about the acting and plot devices. This one, set in the 80s, has us wondering how did these progressive people guess that everything should've been filmed in case a movie was made about them decades later. The film doesn't rely try to adjust itself to the settings and to the spirit of the era, it goes straight for the established process that's worked for them in the past, the only thing they've changed is the medium by which we see the demonic activities. One must wonder, by the time they get to Paranormal Activity 45 will the stories be displayed using cave paintings? Grade *

The only good thing that came out of Dream House must've been Daniel Craig and Rachel Weisz getting married. The rest is an outrageously bad attempt at mating Shutter Island, Memento and any Stephen King novel involving snow and houses. If you've seen the trailer, you don't need to bother with the rest of the movie. What remains mysterious is why people like Sheridan, Watts and pretty much everyone else involved in the production (the underrated Elias Koteas for example) saw in the lazy screenplay and the redundant characters.  Grade *

The Change-Up tries to invent the wheel by taking Freaky Friday and adding curse words, boobs and poop jokes. Jason Bateman and Ryan Reynolds play bets buds who go through a body exchange situation after peeing in a magical fountain. One's a control freak lawyer, the other's a slacker. You don't need to try hard to guess which one plays which; one of the many reasons why you wonder why was this movie even made. Everything about it has been done before and in much better ways. Props to Leslie Mann for always adding a very human layer to her characters. Grade *

Monday, February 14, 2011

Daft Punked.


Click here to read my review for Tron: Legacy.
Then come back and share your neon lit thoughts!

Monday, January 17, 2011

Golden Looks.

Last night's Golden Globes were as predictable as well, the Oscars (not a faulty winner anywhere though) so let's concentrate on the only source of real pleasure we can always be assured to get from award shows: fashion.
This time around I'll concentrate just on the things I loved. It would be too easy to start condemning celebrities for how bad they looked (ScarJo, that hair...) and well today I'm in a great mood. So without further ado:


Everyone and their moms wondered what mom-to-be Natalie Portman would wear and she defied all our expectations by looking positively angelical in this Viktor and Rolf column dress.
The soft pink made her look divine and that embroidered rose kept calling the attention to her tummy and her breathtaking smile.
She didn't even need that Globe to look this divine.


January Jones in Versae kept reminding me of Madonna circa 1990. The classic siren hair, the red lips. Whoever says she's an ice queen will probably melt with this look.


I would've never guessed this dress was Vera Wang. Perhaps I'm used to seeing Wand gowns in petite, often flat chested girls which was why this look on Sofia Vergara was mindblowing.
boy has she come a long way...


I most certainly don't like Angelina Jolie but I couldn't help thinking how beautiful she looked in this emerald green Versace. The way it brought up her eyes was astonishing.


New mom Nicole Kidman was a vision in cream Prada. The statuesque actress pulls off looking regal like very few women can.


Olivia Wilde was just perfect in Marchesa. The chocolate degradé and the sparkles which could've been too prom-like worked wonders with her loose hairdo and simple makeup.


Jennifer Lawrence keeps impressing us with her poise and natural beauty. If someone ahd told me the little girl from Winter's Bone could pull off Louis Vuitton like this, I would've deemed you insane. Now I'm dying to see what she'll wear during the rest of the season.


Many actresses tried to pull off the slightly granny look - think Meryl Streep accepting her Oscar for Sophie's Choice and Kate Hepburn in Long Day's Journey Into the Night - but failed miserably (ScarJo and Sandra Bullock I'm looking at you).
The sexy Leighton Meester did it beautifully in this simple Burberry that looked quite "normal" on the surface but had a stunning leg opening.


My absolute favorite look of the night belonged to my beloved Anne Hathaway in Armani Privé. If the curve hugging from, in all of its Metropolis meets Joan of Arc glory, wasn't stunning enough, she had an open back that made your jaw simply fall to the floor. Just wow!

So, who was your fave? Did you enjoy HBC's cookiness? Don't limit yourself to clothes though. Any winners you particularly disliked?
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