Showing posts with label Jet Li. Show all posts
Showing posts with label Jet Li. Show all posts

Tuesday, October 12, 2010

The Expendables **


Director: Sylvester Stallone
Cast: Sylvester Stallone, Jason Statham, Jet Li, Randy Couture
Dolph Lundgren, Terry Crews, Eric Roberts, Mickey Rourke
Steve Austin, David Zayas, Arnold Schwarzenegger, Bruce Willis

It's a who's who of the most famous action stars of the past three decades in The Expendables, a movie so peculiar that you know no coherent plot is necessary to make it work.
Sly plays Barney Ross, the leader of a mercenary team that includes the characters played by Li, Statham, Lundgren and Crews. No character description could make justice to the stereotypes each of them are playing but this is supposed to be part of the fun.
The Expendables, as they name themselves, are hired by a mysterious man (Willis) to overthrow the dictator (Zavas) of the fictitious island of Vilena. Without even knowing who they're actually working for, but with the promise of fresh victims to decapitate, mutilate and several other CGI verbs, the team takes on the mission.
From the moment of its conception it was obvious that this movie wasn't meant for everyone, after all even its title makes a mockery out of the entire thing to declare this isn't the kind of movie that will rack up awards or change the face of acting (although Rourke does display some serious acting that somehow feels funny in the context, after all his character is named Tool...)
However what might disappoint some is the fact that for all the trivia, references and plain tackiness that surrounds it, the movie isn't really that much fun.
The dialogues, as terrible as they are, could've been at least quotable. The action sequences, as demented and gratuitous as they are, could've at least tried to allow us to see what was going on (especially when they had acrobats like Statham and Li at their service).
The film takes itself so seriously that it forgets that we are living in an era where postmodernist riffs on B-movies are sometimes considered works of genius (see everything Quentin Tarantino touches) and instead of trying to deliver this, The Expendables settles for being another bad movie like the ones these actors are used to making.
Think of it as an Ocean's Eleven with more face lifts, steroids and no real sense of humor (except for Statham who single handedly uplifts every scene he's in). There's a scene in a church that should've been iconic but results awkward and feels strangely forced.
When it comes down to basics The Expendables isn't bad enough to be good, clever enough to be subversive or even bad enough to be plain bad, in the end it's just what it is.

Wednesday, August 6, 2008

The Mummy: Tomb of the Dragon Emperor **

Director: Rob Cohen
Cast:
Brendan Fraser,
Maria Bello
Jet Li,
John Hannah,
Luke Ford
Isabella Leong,
Michelle Yeoh

Set fourteen years after "The Mummy Returns", this new adventure has the O'Connells, Rick (Fraser) and Evy (Bello) living a quiet life in England, while their son Alex (Ford) uncovers the tomb of the legendary Emperor Han (Li) in China.
Looking to put some excitement back into their lives, Rick and Evy sign up for a special mission and in Shanghai discover that there's a plot to bring back to life the emperor their son found.
Soon enough they are all involved in an exciting chase that has them travelling through the Himalayas, battling a Terracotta army and looking for the mysterious Shangri-La.
If we can make it with CGI, it will happen, seems to be the ongoing motto of the film, which features a constantly renewing mummy, who like most of the film has lost the thrilling sense of surprise and tries to impress by exploiting its resources.
The film is often at its best when it captures the interaction between Rick and Evy, with Fraser relying on his great charm to convince us he does this as a lifestyle and while it's tricky to get adjusted to Rachel Weisz's change, Bello reinvents Evy, as a less bookish, more strong willed woman just coming to terms with the power of her sexuality.
Li is used as a token martial arts expert and Hannah, as he has in previous entries, pretty much steals every scene he's in as well as Yeoh, who has the presence of a grand dame of cinema and happens to know how to high kick.
While the previous entries (particularly the first one, which was a breath of fresh air in the adventure blockbuster) had the situations unfold at the service of an innocent, exciting story, every scene here seems to have been made for the mere purpose of leading to a gargantuan battle between dead armies, which sadly is less impressive than director Cohen thinks and the film sometimes tries too hard to impress its audience.
The original "Mummy" was bold enough to create terror with shadows and the appearance of a shaky hand wrapped in bandage, while this one with all its explosions, chases and effects never musters a gasp.
Whatever happened to this film that made it think of wonder as an archaelogical artifact?
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