Showing posts with label Lindsay Lohan. Show all posts
Showing posts with label Lindsay Lohan. Show all posts

Thursday, October 28, 2010

Machete **


Director: Robert Rodriguez, Ethan Maniquis
Cast: Danny Trejo, Michelle Rodriguez, Jessica Alba
Jeff Fahey, Steven Seagal, Cheech Marin, Lindsay Lohan
Shea Wigham, Don Johnson, Robert de Niro

For a movie that has Jessica Alba playing a U.S. Immigration officer, Cheech Marin as a gun toting priest and Danny Trejo as a sex symbol, Machete sure is less fun than it promises.
Adapted from the faux trailer that came with 2007's Grindhouse, the film expands the basic premise of "man seeking revenge" and turns it into a full on blood and guts extravaganza with a message.
The film follows Machete (Trejo), a Mexican Federal betrayed by the force and hunted by the evil druglord Torrez (Seagal) who also killed his family.
Years later, while working illegally in the States, he's approached by a mysterious man (Fahey) who blackmails him to have him kill anti-immigration US Senator John McLaughlin (De Niro). He's betrayed once again and realizes that getting payback might get him closer to avenging his family.
If the basic plot is essentially the exploitative premise from the trailer, the film itself is a convoluted mess of cinematic references, more subplots than it can handle and a distasteful social message.
It doesn't take much to realize that the whole idea of this Machete is to make a comment on the preposterous position some American government officials have taken towards immigration.
The film grabs these, mostly Republican, beings and turns them into monsters like Sen. McLaughlin who enjoys shooting "wetbacks", taping it and then getting donations from people who get a kick out of watching this.
Yet for every monster cliché he can get, Rodríguez also delivers a heroic counterpart. Therefore we have She (pronounced Che and played by Rodríguez) a humble young woman who runs a taco stand by day and leads a resistance movement by night.
The idea of her counterrevolutionary methods isn't as out of place as the fact that she is shaped after one of the most controversial figures in history. Throughout the whole movie the director can't help but wink at us letting us know almost everything is referencing something else.
Hence we have Lohan playing a drug addict gone good, Johnson as the kind of corrupt creature he would've been fighting against in Miami Vice and Alba as a police officer who's both capable of beating the crap out of a gang but also has time to strike sexy poses while she showers.
If the idea behind Machete was to pay homage to the B movies that shaped it, Rodríguez seems to have forgotten that these movies were usually happy accidents and never strategically manufactured products.
These movies became legendary because they eventually came to represent something for people; whether it was female liberation, anti war movements or just plain old fashioned anti-establishment agendas, these movies originally were made just for fun.
Yet everything here is winking at something, recurring to cheap stunt casting or trying to preach about immigration.
It's here when the movie gets confusing, because when you try to deliver an important message about society it's risky to say the only people who can get it solved are murderous, vengeance-seeking outlaws. This could result hilarious to people in on the joke but might easily shock those who oppose the ideas the movie's against.
Rodríguez can't have his social message cake and eat it too!
This is why Machete often feels dull as a butter knife even when it pretends to be completely sharp.

Thursday, October 21, 2010

The Wicked Witch of the North (Shore).


"I'm a pain in your rectum
I'm that bitch y'all slept on
Heavy hitter, rhyme splitter, call me Re-Run
Hey, hey, hey, I'm what's happenin'"
- Missy Elliot

Few films capture the horrors of being a teenager in the way Mean Girls does. This first-class satire directed by Mark Waters and written by, Academy Award nomination-robbed, Tina Fey (adapted from a book by Rosalind Wiseman) is a hilarious (in a laugh to keep from crying sort of way) that deals with the lives of a group of teenagers and their interaction with "the plastics": the popular girls everyone hates and loves.
The Queen of them all is Regina George (Rachel McAdams) a girl so hateful that when we first meet here we learn that "evil takes a human form in Regina George."
This gives path to my favorite shot in the film.
Highlighted by Missy Elliot's addictive "Pass That Dutch" we see a blond queen being carried by her faithful slaves.


All of them seem to be honored that they get to be used as Regina's means of transportation. Like a perverse Cleopatra she relishes this moment and makes her subjects know she knows how much they love her for being her slaves.
She smiles at them filled with satisfaction (never disbelief) and we understand that her every wish is fulfilled by them.
However her glow comes with a warning, "don't be fooled cause she may seem like your typical, selfish , backstabbing slut-faced ho bag but in reality she's so much more than that."
And she is, as the plot moves forward Regina makes it clear that her reign will be over when she wants it to be over.
Later in the film we get a bookend to this first glimpse of Regina's glory. After wreaking havoc in her high school and in the process destroying her kingdom she watches the scene with the same sly smile we saw before on her face.


As people around her insult and hit each other she just stands there completely untouchable. It might be because the others are so concerned that they haven't even noticed she's there but we know that to Regina this actually means her subjects are still so terrified and respectful that they would never approach her like they would an ordinary being.
The camera in this shot pulls back and we see that Regina stands above some stairs like a wicked Madonna from a Renaissance tableaux.
Regina's always on top, even when she's not.

This post is part of the "Hit Me With Your Best Shot" series, hosted by the very fetch Nathaniel of The Film Experience.
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