Monday, January 18, 2010

Quick Globe Recap (Part Deux).


Mo'Nique just sealed the Oscar deal with what was a classy, remarkably thought out speech and one of the night's most deserved wins (I loved that Drew Barrymore made a reference to it when she won as well).
Watching how gracious and especially how thankful she is, makes me truly want to smack all those people who have been dissing her approach towards the awards campaigning bullshit.
I might not have liked "Precious: Based on the Novel Push by Sapphire" but every time I remember how good Mo'Nique was I have an altogether better reaction towards the film itself.
May she be just as wonderful at Oscar (oh and someone better nominate Nicole Kidman for another award soon, she looked fantastic last night!).

Now let's move on to fashion.
If someone had told me a few days ago that frills would be all the rage at a red carpet I would've laughed and told them to go back to the 1800s.
But nude color or pale dresses with tons of frills is precisely what we got.
Surprisingly they seemed to work wonders particularly in three ladies:

Fashionista extraordinaire and Golden Globe winner herself last night Chloë Sevigny opted for a lavender greyish hue that made for one of those out of the blue choices only she can pull off.


Despite being extreme opposites in the body shape department Christina Hendricks and Nicole Kidman basically wore the same thing.
The voluptuous Miss Hendricks made her dress shine with the use of simple makeup and her beautiful red hair. This woman honestly evokes the exotic sexuality of people like Jayne Mansfield.
While the monumental Kidman looked sweeter and more accessible than she ever does.

My favorite winner of the night went for something slightly similar but a bit more deconstructive with a simple dress with beautiful structural appliqués that made some people joke she had killed a hedegehog and others, like me, see how it gave her whole style a luscious flow.

Sofía Vergara probably could just wrap some sheets around her spectacular body and she'd make it. But this strapless gown in such an unexpected color gave her a breathtaking simplicity that downsized her natural erotic-ness and brought out a more classic beauty look to her. That burgundy strip on top is a stroke of genius.

John Galliano's muse obviously went for Dior and while the dress had nothing wow to it, that flash of lace undergarments and the dominatrix shoes were yet another of the delicious ways in which Cotillard suggests angelical qualities with devilish instincts.

And boy does Eli Roth clean up good.

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